/page/2
mediumaevum:

Cover of the Gospel Book of Otto III (with tenth-century Byzantine ivory panel) c. 1000
The crossing of cultures (Western/Latin and Eastern/Byzantine)
The Gospels of Otto III (Munich, Bayerische Staatsbibliothek, Clm 4453) is a late 10th or early 11th century illuminated Gospel Book. The manuscript contains the Vulgate versions of the four gospels plus prefatory matter including the Eusebian canon tables. The manuscript is a major example of Ottonian illumination. It was produced at Reichenau Abbey in the workshop headed by the monk Liuthard. The manuscript has 276 folios which measure 334mm by 242mm. The illumination includes a page miniature of the enthrone Otto III being brought gifts by personifications of the four provinces of the Empire, Roma, Gallia, Germania, and Sclavinia. The manuscript contains an additional 34 miniatures, including four evangelist portraits. In addition there are 12 decorated pages of canon tables, and each gospel is introduced by a full page decorated incipit page.

mediumaevum:

Cover of the Gospel Book of Otto III (with tenth-century Byzantine ivory panel) c. 1000

The crossing of cultures (Western/Latin and Eastern/Byzantine)

The Gospels of Otto III (MunichBayerische Staatsbibliothek, Clm 4453) is a late 10th or early 11th century illuminated Gospel Book. The manuscript contains the Vulgate versions of the four gospels plus prefatory matter including the Eusebian canon tables. The manuscript is a major example of Ottonian illumination. It was produced at Reichenau Abbey in the workshop headed by the monk Liuthard. The manuscript has 276 folios which measure 334mm by 242mm. The illumination includes a page miniature of the enthrone Otto III being brought gifts by personifications of the four provinces of the Empire, Roma, Gallia, Germania, and Sclavinia. The manuscript contains an additional 34 miniatures, including four evangelist portraits. In addition there are 12 decorated pages of canon tables, and each gospel is introduced by a full page decorated incipit page.

(via thecrankyprofessor)

colonelcatastrophe asked: I think you should check out georgian churches

Thanks for the recommendation! I will take a look. Have any specific ones I should check out?

Not so obvious grapevines from San Pedro de la Nave
Location: Zamora, Spain
c. 7th century

Here is a great example of the Visigothic style. Clearly from their time spent with Romans they understood what aspects a column should possess. Unfortunately, they don’t really get the realism part down as well as their predecessors. But this is something that I find endearing. They obviously want to copy and associate themselves with them Roman empire yet they lack the technical and artistic skill to execute the same result. This column appears to be a bastardization of a Corinthian column with a few added touches for flair. 

I guess I enjoy their work so much because I can see the effort and intention put into each piece. I respect that. For Germanic people who left their homeland and became nomads across a greater part of Europe, I don’t think they did too bad of a job.

Viva Visigoths!

Not so obvious grapevines from San Pedro de la Nave

Location: Zamora, Spain

c. 7th century

Here is a great example of the Visigothic style. Clearly from their time spent with Romans they understood what aspects a column should possess. Unfortunately, they don’t really get the realism part down as well as their predecessors. But this is something that I find endearing. They obviously want to copy and associate themselves with them Roman empire yet they lack the technical and artistic skill to execute the same result. This column appears to be a bastardization of a Corinthian column with a few added touches for flair.

I guess I enjoy their work so much because I can see the effort and intention put into each piece. I respect that. For Germanic people who left their homeland and became nomads across a greater part of Europe, I don’t think they did too bad of a job.

Viva Visigoths!

San Pedro de la Nave
Location: Zamora, Spain
c. 7th century

This photo comes from a collection that can be seen at Romanico de JJ on Facebook. There are amazing photos of this 7th century church. I will be sharing some of my favorites.

This is one of the last Visigothic buildings constructed before the Muslim invasion in the 8th century. As most of my followers know, I am crazy for Visigoths. They’re decorative style always makes me smile.

San Pedro de la Nave

Location: Zamora, Spain

c. 7th century

This photo comes from a collection that can be seen at Romanico de JJ on Facebook. There are amazing photos of this 7th century church. I will be sharing some of my favorites.

This is one of the last Visigothic buildings constructed before the Muslim invasion in the 8th century. As most of my followers know, I am crazy for Visigoths. They’re decorative style always makes me smile.

Castillo de Trujillo

Location: Trujillo, Spain

C.11-12th century

Photo taken May 5, 2013

Plaza mayor-Trujillo

Trujillo, Spain

May 5th, 2013

Plaza mayor-Trujillo

Trujillo, Spain

May 5th, 2013

View from an 11th century Moorish castle

Photo taken May 4, 2013 by Caroline Quintanar

View from an 11th century Moorish castle

Photo taken May 4, 2013 by Caroline Quintanar

Cáceres

Off to Cáceres today. I’ll be posting my medieval/nature adventure here on Tumblr and on Instagram. Keep an eye out for Medieval ruins, medieval villages, spectacular landscapes and cheese. (Going to the Feria de Queso)

You can follow me on Instagram at @soymasamor

Archaeologists have discovered 90 more pieces of the Staffordshire Hoard – in the same field as the original find.  

The discovery was made by archaeologists working for Staffordshire Council and English Heritage when they were working on the site following the recent ploughing of the same field near Lichfield.

The discovery was revealed to the world this morning at a press conference at the Potteries Museum and Art Gallery, in Hanley.

It comes more than three years after the Staffordshire Hoard was found in the field by an amateur metal detectorist.

South Staffordshire Coroner Andrew Haigh will rule at an inquest on January 4 if the metalwork pieces are part of the Staffordshire Hoard and should be declared treasure.

The new finds include a possible helmet cheek piece, a cross-shaped mount and an eagle-shaped mount. The new collection is currently being examined by experts.

Staffordshire County Council leader Philip Atkins said: “The Staffordshire Hoard was an amazing discovery and, together with our partners, we have been immensely proud to play our part in helping to discover and tell the story of a collection of such international importance.

“The ploughing of the same field has unearthed a small number of other gold and silver finds. While it is far too early to say what exactly they are, or how old they are, they are certainly interesting finds.”

Following its discovery in July, 2009, The Staffordshire Hoard, as it became known, was valued at £3.285 million and eventually bought for the Potteries Museum and Art Gallery and Birmingham Museums and Art Gallery.

The campaign to keep the Hoard on UK soil saw prominent figures from a range of different fields – including actress Dame Judy Dench, then Prime Minister Gordon Brown and ex-Rolling Stone Bill Wyman – queue up to lend their support.

The latest collection will be assessed by the coroner and, if it is deemed to treasure, it will be valued. Mr Atkins said it was “more than likely” that another joint fund-raising campaign would get underway to keep the treasure for the Potteries and Birmingham museums. 

The Hoard – the largest collections of Anglo-Saxon treasure ever found - contains more than 3,500 items of gold and silver with precious stone decorations.

But the Hoard is so much more than a collection of precious materials – it’s the legacy of craftsmen whose artistry fashioned these precious metals and gemstones into incredibly detailed sword hilt fittings, helmet parts and other items.

(via fuckyeahvikingsandcelts)

demonagerie:

Staatsbibliothek Bamberg Msc.Bibl.140, f. 23r (locusts). Apokalypse und Evangelistar (‘Bamberger Apokalypse’). Reichenau, ca. 1010.

This manuscript needs no comment on how awesome it is. It speaks for itself… Wow.

demonagerie:

Staatsbibliothek Bamberg Msc.Bibl.140, f. 23r (locusts). Apokalypse und Evangelistar (‘Bamberger Apokalypse’). Reichenau, ca. 1010.

This manuscript needs no comment on how awesome it is. It speaks for itself… Wow.

(via thecrankyprofessor)

slovakcastles:

Spišský hrad  | Spiš Castle, Slovakia -  rated one of the 25 most beautiful castles in Europe
UNESCO World Heritage 
One of the largest Castles of the 13th and 14th century military, political and religious buildings in eastern and central Europe.
Location: N48 59 58 E20 46 3
Architecture of Middle Ages and early Renaissance, Romanesque, Gothic 
Spišský Hrad (castle) stands on a dramatic site where the earliest occupation dates back to the Neolithic period (5th millennium BC), and subsequently occupied in the Bronze Age and in the 1st century AD. It was also fortified during the Great Moravian Period (9th century AD). Present castle construction started in 12th cent. It was used as a defense against Tatar incursions from the east.
The castle is usually compared with contemporary castles in France and the British Isles rather than those of Central and Eastern Europe.
via pandolfo-malatesta:

Poklady Spiša by petrus1/Peter Dobrovský

slovakcastles:

Spišský hrad  | Spiš Castle, Slovakia -  rated one of the 25 most beautiful castles in Europe

UNESCO World Heritage 

One of the largest Castles of the 13th and 14th century military, political and religious buildings in eastern and central Europe.

Location: N48 59 58 E20 46 3


Architecture of Middle Ages and early Renaissance, Romanesque, Gothic 


Spišský Hrad (castle) stands on a dramatic site where the earliest occupation dates back to the Neolithic period (5th millennium BC), and subsequently occupied in the Bronze Age and in the 1st century AD. It was also fortified during the Great Moravian Period (9th century AD). Present castle construction started in 12th cent. It was used as a defense against Tatar incursions from the east.

The castle is usually compared with contemporary castles in France and the British Isles rather than those of Central and Eastern Europe.

via pandolfo-malatesta:

Poklady Spiša by petrus1/Peter Dobrovský

vwcampervan-aldridge:

Ruins of Lilleshall Abbey, Built in the 12th century but fell into decline before the Dissolution of the monasteries by Henry VIII, partly destroyed during a siege in the Civil war in 1643. Lilleshall, Shropshire, England
All Original Photography by http://vwcampervan-aldridge.tumblr.com

vwcampervan-aldridge:

Ruins of Lilleshall Abbey, Built in the 12th century but fell into decline before the Dissolution of the monasteries by Henry VIII, partly destroyed during a siege in the Civil war in 1643. Lilleshall, Shropshire, England

All Original Photography by http://vwcampervan-aldridge.tumblr.com

(via historyishuman)

mediumaevum:

Cover of the Gospel Book of Otto III (with tenth-century Byzantine ivory panel) c. 1000
The crossing of cultures (Western/Latin and Eastern/Byzantine)
The Gospels of Otto III (Munich, Bayerische Staatsbibliothek, Clm 4453) is a late 10th or early 11th century illuminated Gospel Book. The manuscript contains the Vulgate versions of the four gospels plus prefatory matter including the Eusebian canon tables. The manuscript is a major example of Ottonian illumination. It was produced at Reichenau Abbey in the workshop headed by the monk Liuthard. The manuscript has 276 folios which measure 334mm by 242mm. The illumination includes a page miniature of the enthrone Otto III being brought gifts by personifications of the four provinces of the Empire, Roma, Gallia, Germania, and Sclavinia. The manuscript contains an additional 34 miniatures, including four evangelist portraits. In addition there are 12 decorated pages of canon tables, and each gospel is introduced by a full page decorated incipit page.

mediumaevum:

Cover of the Gospel Book of Otto III (with tenth-century Byzantine ivory panel) c. 1000

The crossing of cultures (Western/Latin and Eastern/Byzantine)

The Gospels of Otto III (MunichBayerische Staatsbibliothek, Clm 4453) is a late 10th or early 11th century illuminated Gospel Book. The manuscript contains the Vulgate versions of the four gospels plus prefatory matter including the Eusebian canon tables. The manuscript is a major example of Ottonian illumination. It was produced at Reichenau Abbey in the workshop headed by the monk Liuthard. The manuscript has 276 folios which measure 334mm by 242mm. The illumination includes a page miniature of the enthrone Otto III being brought gifts by personifications of the four provinces of the Empire, Roma, Gallia, Germania, and Sclavinia. The manuscript contains an additional 34 miniatures, including four evangelist portraits. In addition there are 12 decorated pages of canon tables, and each gospel is introduced by a full page decorated incipit page.

(via thecrankyprofessor)

colonelcatastrophe asked: I think you should check out georgian churches

Thanks for the recommendation! I will take a look. Have any specific ones I should check out?

(Source: sharanga)

(Source: sharanga)

Not so obvious grapevines from San Pedro de la Nave
Location: Zamora, Spain
c. 7th century

Here is a great example of the Visigothic style. Clearly from their time spent with Romans they understood what aspects a column should possess. Unfortunately, they don’t really get the realism part down as well as their predecessors. But this is something that I find endearing. They obviously want to copy and associate themselves with them Roman empire yet they lack the technical and artistic skill to execute the same result. This column appears to be a bastardization of a Corinthian column with a few added touches for flair. 

I guess I enjoy their work so much because I can see the effort and intention put into each piece. I respect that. For Germanic people who left their homeland and became nomads across a greater part of Europe, I don’t think they did too bad of a job.

Viva Visigoths!

Not so obvious grapevines from San Pedro de la Nave

Location: Zamora, Spain

c. 7th century

Here is a great example of the Visigothic style. Clearly from their time spent with Romans they understood what aspects a column should possess. Unfortunately, they don’t really get the realism part down as well as their predecessors. But this is something that I find endearing. They obviously want to copy and associate themselves with them Roman empire yet they lack the technical and artistic skill to execute the same result. This column appears to be a bastardization of a Corinthian column with a few added touches for flair.

I guess I enjoy their work so much because I can see the effort and intention put into each piece. I respect that. For Germanic people who left their homeland and became nomads across a greater part of Europe, I don’t think they did too bad of a job.

Viva Visigoths!

San Pedro de la Nave
Location: Zamora, Spain
c. 7th century

This photo comes from a collection that can be seen at Romanico de JJ on Facebook. There are amazing photos of this 7th century church. I will be sharing some of my favorites.

This is one of the last Visigothic buildings constructed before the Muslim invasion in the 8th century. As most of my followers know, I am crazy for Visigoths. They’re decorative style always makes me smile.

San Pedro de la Nave

Location: Zamora, Spain

c. 7th century

This photo comes from a collection that can be seen at Romanico de JJ on Facebook. There are amazing photos of this 7th century church. I will be sharing some of my favorites.

This is one of the last Visigothic buildings constructed before the Muslim invasion in the 8th century. As most of my followers know, I am crazy for Visigoths. They’re decorative style always makes me smile.

Castillo de Trujillo

Location: Trujillo, Spain

C.11-12th century

Photo taken May 5, 2013

Plaza mayor-Trujillo

Trujillo, Spain

May 5th, 2013

Plaza mayor-Trujillo

Trujillo, Spain

May 5th, 2013

View from an 11th century Moorish castle

Photo taken May 4, 2013 by Caroline Quintanar

View from an 11th century Moorish castle

Photo taken May 4, 2013 by Caroline Quintanar

Cáceres

Off to Cáceres today. I’ll be posting my medieval/nature adventure here on Tumblr and on Instagram. Keep an eye out for Medieval ruins, medieval villages, spectacular landscapes and cheese. (Going to the Feria de Queso)

You can follow me on Instagram at @soymasamor

Archaeologists have discovered 90 more pieces of the Staffordshire Hoard – in the same field as the original find.  

The discovery was made by archaeologists working for Staffordshire Council and English Heritage when they were working on the site following the recent ploughing of the same field near Lichfield.

The discovery was revealed to the world this morning at a press conference at the Potteries Museum and Art Gallery, in Hanley.

It comes more than three years after the Staffordshire Hoard was found in the field by an amateur metal detectorist.

South Staffordshire Coroner Andrew Haigh will rule at an inquest on January 4 if the metalwork pieces are part of the Staffordshire Hoard and should be declared treasure.

The new finds include a possible helmet cheek piece, a cross-shaped mount and an eagle-shaped mount. The new collection is currently being examined by experts.

Staffordshire County Council leader Philip Atkins said: “The Staffordshire Hoard was an amazing discovery and, together with our partners, we have been immensely proud to play our part in helping to discover and tell the story of a collection of such international importance.

“The ploughing of the same field has unearthed a small number of other gold and silver finds. While it is far too early to say what exactly they are, or how old they are, they are certainly interesting finds.”

Following its discovery in July, 2009, The Staffordshire Hoard, as it became known, was valued at £3.285 million and eventually bought for the Potteries Museum and Art Gallery and Birmingham Museums and Art Gallery.

The campaign to keep the Hoard on UK soil saw prominent figures from a range of different fields – including actress Dame Judy Dench, then Prime Minister Gordon Brown and ex-Rolling Stone Bill Wyman – queue up to lend their support.

The latest collection will be assessed by the coroner and, if it is deemed to treasure, it will be valued. Mr Atkins said it was “more than likely” that another joint fund-raising campaign would get underway to keep the treasure for the Potteries and Birmingham museums. 

The Hoard – the largest collections of Anglo-Saxon treasure ever found - contains more than 3,500 items of gold and silver with precious stone decorations.

But the Hoard is so much more than a collection of precious materials – it’s the legacy of craftsmen whose artistry fashioned these precious metals and gemstones into incredibly detailed sword hilt fittings, helmet parts and other items.

(via fuckyeahvikingsandcelts)

demonagerie:

Staatsbibliothek Bamberg Msc.Bibl.140, f. 23r (locusts). Apokalypse und Evangelistar (‘Bamberger Apokalypse’). Reichenau, ca. 1010.

This manuscript needs no comment on how awesome it is. It speaks for itself… Wow.

demonagerie:

Staatsbibliothek Bamberg Msc.Bibl.140, f. 23r (locusts). Apokalypse und Evangelistar (‘Bamberger Apokalypse’). Reichenau, ca. 1010.

This manuscript needs no comment on how awesome it is. It speaks for itself… Wow.

(via thecrankyprofessor)

slovakcastles:

Spišský hrad  | Spiš Castle, Slovakia -  rated one of the 25 most beautiful castles in Europe
UNESCO World Heritage 
One of the largest Castles of the 13th and 14th century military, political and religious buildings in eastern and central Europe.
Location: N48 59 58 E20 46 3
Architecture of Middle Ages and early Renaissance, Romanesque, Gothic 
Spišský Hrad (castle) stands on a dramatic site where the earliest occupation dates back to the Neolithic period (5th millennium BC), and subsequently occupied in the Bronze Age and in the 1st century AD. It was also fortified during the Great Moravian Period (9th century AD). Present castle construction started in 12th cent. It was used as a defense against Tatar incursions from the east.
The castle is usually compared with contemporary castles in France and the British Isles rather than those of Central and Eastern Europe.
via pandolfo-malatesta:

Poklady Spiša by petrus1/Peter Dobrovský

slovakcastles:

Spišský hrad  | Spiš Castle, Slovakia -  rated one of the 25 most beautiful castles in Europe

UNESCO World Heritage 

One of the largest Castles of the 13th and 14th century military, political and religious buildings in eastern and central Europe.

Location: N48 59 58 E20 46 3


Architecture of Middle Ages and early Renaissance, Romanesque, Gothic 


Spišský Hrad (castle) stands on a dramatic site where the earliest occupation dates back to the Neolithic period (5th millennium BC), and subsequently occupied in the Bronze Age and in the 1st century AD. It was also fortified during the Great Moravian Period (9th century AD). Present castle construction started in 12th cent. It was used as a defense against Tatar incursions from the east.

The castle is usually compared with contemporary castles in France and the British Isles rather than those of Central and Eastern Europe.

via pandolfo-malatesta:

Poklady Spiša by petrus1/Peter Dobrovský

vwcampervan-aldridge:

Ruins of Lilleshall Abbey, Built in the 12th century but fell into decline before the Dissolution of the monasteries by Henry VIII, partly destroyed during a siege in the Civil war in 1643. Lilleshall, Shropshire, England
All Original Photography by http://vwcampervan-aldridge.tumblr.com

vwcampervan-aldridge:

Ruins of Lilleshall Abbey, Built in the 12th century but fell into decline before the Dissolution of the monasteries by Henry VIII, partly destroyed during a siege in the Civil war in 1643. Lilleshall, Shropshire, England

All Original Photography by http://vwcampervan-aldridge.tumblr.com

(via historyishuman)

Cáceres

About:

This blog serves at my art history outlet. I mainly focus on Medieval. Most images are from other sources. Images that I have taken personally are noted as such, if you are interested in using or obtaining a copy of a photo please contact me at arthistoryblogCQ@gmail.com Notes and tidbits are added for informational purposes, such as date, location, general period and basic visual analysis. If you have any questions about a specific piece please do not hesitate to ask. I graduated from the University of Arizona in 2009 with a BA in Art History and Spanish. My main goal is to travel throughout Spain and Europe documenting and sharing the lesser known Medieval monuments and works of art.